ISSN 2223-165X

Izvestiya SOIGSI
 

Contacts

Address: Pr. Mira, 10, Vladikavkaz,
362040, RNO-A, Russia
E-mail: soigsi@mail.ru

 

Яндекс.Метрика

DOI: 10.46698/h7126-6192-1123-s

POETICAL AND ARTISTIC FEATURES OF THE OSSETIAN FOLK APHORISTICS: PARALLELISM, HYPERBOLE, METONYMY, SYNTAX STRUCTURE

Tsallagova, Zarifa B.
Izvestia SOIGSI. 2020. IIS 37 (76).
Abstract:
The strength of the influence of Ossetian aphoristic utterances lies in their implicit expressive
coloring, in their artistic nature, due to which they evoke an emotional response of the widest range
and unobtrusively program the style and tone of communication, informing the interlocutor or
audience of feelings of kindness, disposition, condescension, involvement (exactly as and opposite
feelings). The modern interest in the ethnic ideal of the culture of verbal interaction, the etiquette
of traditional communication actualizes the enduring value of aphoristic material, makes the
research search for the poetic features of its artistic nature, which, coupled with the peculiarities of
the syntactic structure and rhythmic organization, form a poetic-semantic and artistic completeness,
semantic capacity and relevance in the speech of native speakers of aphoristic sayings. The article,
which summarizes the consideration of a large array of Ossetian aphorisms, states that the genre
units of aphorisms do not exceed the volume of one sentence; proverbs and sayings are represented
by all kinds of sentences, for riddles the most typical is the form of a simple one-compound sentence,
and curses and well-wishes that are similar in their syntactic model are for the most part represented
by simple two-component sentences, oaths and spells are single-component predicate sentences.
The syntagmatic division of folk aphorisms, which carries a n expressed semantic load, allows to
deepen, concretize the meaning of the statement without prejudice to its form. In numerous proverbs
and riddles, parallelism finds wide realization, suggesting at least two elements of the structure of
the artistic whole. Antithetical parallelism is the most common, allowing in one phrase to reveal
the essence of the phenomenon, contrasting two objects, signs or phenomena on the basis of their
dissimilarity. In antithetic riddles, people noticed contrasts in the states of nature, plants, and
animals. In the aphorism of a hyperbole in combination with a litho, it is the basis of antithetic
two-part proverbs; in riddles there is a hyperbolic metaphor that enlarges objects; in the formulas
of various wishes, hyperbole helps to increase their emotionality. Strengthening the emotional and
aesthetic impact of aphorisms contributes to the sound side associated with the targeted allocation of
speech sounds (alliteration, anaphora, epiphora, rhyme).
Keywords: aphorism, proverb, proverb, oath, riddle, well-wishes, curse, parallelism, hyperbole, metonymy, syntactic structure
+ References


← Contents of issue
 
 
© 2024 Известия СОИГСИ