M.S. DZASOKHOV’S POETRY OF THE 1960-80S IN RUSSIAN: ON THE QUESTION OF THE TRANSLATION METHOD

	ISSN 2223-165X
	Izvestiya SOIGSI

Home Editorial board Publication ethics Current Information Archive Peer review guidelines Contacts Address: Pr. Mira, 10, Vladikavkaz, 362040, RNO-A, Russia E-mail: soigsi@mail.ru	DOI: 10.46698/VNC.2024.92.53.009 M.S. DZASOKHOV’S POETRY OF THE 1960-80S IN RUSSIAN: ON THE QUESTION OF THE TRANSLATION METHOD Dzaparova, Elizaveta B. Izvestia SOIGSI. 2024. IIS 53 (92). P.133-145. Abstract: The article presents an analysis of Russian-language poetry translations by M.S. Dzasokhov from the 1960s-80s, revealing the ways of reflecting the content plan and the expression plan of the originals. In the lyric collections “Polosha ruko na serde”, “Serdtse i vodapud”, “Gosti iz Baraguyn”, “Ossetia, narnaya storona” in Russian, different translation strategies are demonstrated. The author of the study, in the course of comparing multilingual texts (original → translation), shows the similarities and differences in the transmission of meaning, stylistic expressiveness of words, national color, cases of additions and omissions in translation, examples of changes in the equirhythmicity and equilinearity of the verse and the poetic concept of the author in general. It is concluded that when transmitting the content-formal levels of the original, the adequate approach predominantly dominates (for example, in the translations of L. Shereshevsky). During translation, changes in the author’s intentions are revealed - in the Russian text, in the same emotional tone, his own vision of the depicted reality is given, the form of poetic speech is partially transformed (translated by V. Tushnova, A. Nikolaev). To express the original thought, the translators offer their own interpretation “to the tune” of the original. However, such a (free) approach to conveying the original text is only occasionally encountered in the translation practice of V. Tushnova, A. Nikolaev, N. Zlotnikov. Within the framework of translation methods, a combined approach is also observed: the first part of the poem is the author’s text; the second is the translator’s addition to the original. The poem in Russian is only thematically connected with the work of M. Dzasokhov (translated by N. Zlotnikov). Keywords: M.S. Dzasokhov, poetry, literary translation, equirhythmicity, equilinearity, combined translation, author’s intention, pragmatics. Download the full text For citation:: Dzaparova, E.B. Poetry of M.S. Dzasokhov of the 1960-80s in Russian: on the question of the translation method // Izvestiya SOIGSI. 2024. Iss. 53 (92). Pp. 133- 145. (in Russian). DOI 10.46698/VNC.2024.92.53.009 + References 1. Gogol, N.V. Neskol’ko slov o Pushkine [A few words about Pushkin]. Gogol, N.V. Polnoe sobranie sochinenii: V 14 t. 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